All Things in Moderation - Even Writing Advice

by J. Lea López

 Have you ever watched one of those weight loss stories where the person who's lost 120 pounds says something along the lines of, "I had tried everything. Every fad diet, every pill. Everything. Then one day I woke up and I knew I couldn't live like this any more. I was killing myself. That's when I started my journey to getting truly healthy. It was hard work. But I did it, and I feel great."

Well, I'm there. With my writing, that is. And hopefully you can learn from my journey.

I also have weight struggles, but I've never been one for crash dieting to the extreme. There are all kinds of "cures" and systems out there, many of which seem to contradict each other. Low Glycemic, Atkins, Weight Watchers, Gluten-free, Paleo, all bacon all the time (I don't know if that's really a diet, but I could get behind that). There are a lot of people who seem to do well on each of these plans, but sometimes people can take it to unhealthy extremes. The same goes for writing advice. Taken to extremes, even the best advice can be detrimental to your writing. I'm sure you've heard - and tried to implement - a lot of it:

• No adverbs. Ever!
• Action, action, action! Tension, all the time! 
• Be unique - but don't be so unique that you're the only one who will get your writing.
• Start smack dab in the middle of the action and let every word further the plot from there.
• Banish every trace of passive voice.
• Read all the classics because they're the only benchmarks by which to measure your talent!
• Characters shouldn't growl, breathe, or hiss their words. Using anything other than "said" is a crime against humanity!
• Personalize your query - but don't kiss ass.
• Blog, tweet, market, network and get your name out there - but do it the "right" way.

The list could go on and on. There are valid points of advice that inform each of those statements, of course, but too often we try to incorporate too much of other people's advice into our technique. Then we wonder what happened to the voice, the pizzazz of our own writing that we were pretty sure was there when we first started.

I was tweeting with a writing friend the other day about food and nutrition. I told her that my approach now was more along the lines of everything in moderation, while focusing on thing that are as natural as possible, not depriving myself of fun stuff, not beating myself up when I don't eat as well as I want, and being aware of foods that are triggers or have specific health consequences for me, as opposed to what other people tell me my body should or shouldn't have.

Then I realized my personal approach to writing and publishing had shifted to something very similar recently.

Somehow, somewhere, one day, something just clicked. I'm open to learning new things, hearing criticism, discovering better ways to do things and challenge myself as a writer. But the bottom line is that literary crash diets, like the nutritional ones, will ultimately get you nowhere. I know my own strengths as well as my own weaknesses, and the plethora of writing advice and literary techniques are like a massive buffet that I can pick and choose from to get my desired results.

This year, I hope any of you prone to dangerous writing crash diets will learn to take all advice in moderation and trust your writerly gut. Do you know why there are so many nutritional plans out there that all seem to work for so many different people? Because health and nutrition isn't one-size-fits-all. Neither is writing.

If you've deleted every adverb and gerund from your writing and it still seems a bit sickly, take a deep breath and a step back. Trust me, it will click. It will be hard work to get your writing into prime condition. But it will be worth it.

Are you guilty of crash dieting with writing advice in an attempt to get your writing in tip top shape?

J. Lea López writes erotica and women's fiction. Find her on Twitter or her blog. To read some of her mainstream short stories, check out the anthologies The Fall: Tales from the Apocalypse and Spring Fevers. Find some of her erotic short stories on her Facebook page.

Don’t Turn Being Published Into a Fairy-Tale

by Sophie Perinot

“And they all lived happily ever after.”  How many times have we heard or read those words since childhood?  There is a lively debate about whether traditional fairy-tales are good for kids (and particularly for girls who get demoted to rescuee in many of them), but what about writers, particularly unpublished ones?

It seems to me—and I know A LOT of writers—that many writers walking the trail towards their first book deal (aka the “death march”) idealize being published.  They view the writer who has snagged a contract with a Major House and whose books sit on shelves at Barnes & Noble’s nationwide as Cinderella after the wedding.  No more nasty stepsisters, no more cleaning up after everybody—publication is the tiara, the ball gown, the bright lights, the always-agreeable handsome royal husband.  Talk about a recipe for disappointment.

There is a reason fairy-tales end where they do (as Stephen Sondheim so cleverly illustrated in his musical Into the Woods with an eye-opening second act that begins just after ‘happily ever after”).  Our ideal is just somebody else’s everyday reality with all the work, worry success and failure that entails.  This is true in any profession—no matter how satisfying—and certainly in publishing.  My first novel has been out for seven months.  I am not going to lie, being published is better than not being published and also marks a significant personal goal reached.  BUT my life post-publication has more in common with my life pre-publication than the as-yet-unpublished might like to think; only it is far more hectic.

If you are as yet unrepresented and/or unpublished you are writing a book, polishing it and spit-shining your pitch.  And you are waiting—on tenterhooks—to hear the opinion of agents in the query process (or, if you are repped, your own personal agent in the review process) and/or *gulp* publishers (if you are out on submission).  Well guess what, I am writing a new book and polishing it.  There is no guarantee it will be acceptable to my agent and/or publisher.  Even authors with multi-book deals have to please the gate-keepers again and again.  A second (or third, or fifth) time author doesn’t get to just turn in whatever he/she wants and say “this is my book”—unless he/she has the market power of say JK Rowling.  And on top of getting “what’s next” ready to submit (doubtless to be followed by rounds of edits with both agent and editor in turn) I am promoting book one, putting miles on my car and taking years off my life (hey, those promotion hours have to come from somewhere don’t they).

I am NOT complaining—nobody likes “poor me” especially from the published.  What I am saying is it is a damn good thing I had a realistic view of what publication would and wouldn’t mean in the big picture of my writing career and my life.  If I’d thought I’d wake up as Cinderella post ball I would probably be deeply depressed right now.

Here’s my advice for those who want to face the morning after the ball feeling content and hopeful rather than suicidal:

1) Start your publishing journey with an education and a realistic view—this is a career path not the yellow-brick road.  There is no Emerald City of publishing and if there was the wizard would probably be some shyster from the state fair.  Success in this business is personal and it is a moving target.  If you want hit it you’d better be smart.

So many writers seem to focus their reading and fact gathering nearly exclusively on the step just in front of them (e.g. querying).  But it is important to look ahead, educating yourself about the nuts and bolts of your corner of the industry as they apply to career writers not just newbies.  What kind of print runs are common in your genre? What are the bench marks that need to be met if you want to continue to be published (e.g. 60% sell through is a common one across a number of genres)? What type of money should you personally expect to spend on marketing your work, and what are current authors doing to market themselves successful?  If you don’t know what work is expected of a published author with a book to promote and deadlines to meet on a next book, you will find yourself at the starting line of a marathon (your publishing career) with no training or conditioning. Not good.

If you’ve done your homework then you can set realistic goals and meet them.  Just make sure you never let yourself be fooled into thinking that any one goal means you are done and you’ve “made it.”  Enjoy the journey because the journey is 99% of any career including being a published author.

2) Think of your agent as your partner not your savior.  That’s really how all those heroines should think of the handsome prince if they want their marriages to survive right?  You’ve wanted an agent for so long, and she/he makes you feel so talented (and you are), but after that first burst of post-signing excitement you have to be able to edit together and navigate the mine-field that is the submission process.

So don’t idealize your agent.  Allow her/him to tell you tough truths and be prepared to speak truth back.  Don’t have unrealistic expectations either.  Your agent is not your fairy-godmother because (repeat after me) this is not a fairy-tale.  She believes your book will sell but it might not (a full 50% of agented manuscripts from debut authors don’t).  If it doesn’t, don’t be too quick to blame your agent, bad mouth her, or fire her without some good, hard, rational thought first.  Finally, you do need to be prepared, should the necessity arise, to admit your non-fairy-tale marriage has gone sour.

3) Celebrate getting to the ball in grand style, but recognized the clock will strike midnight.  Whether you’ve just signed with an agent or penned your name on your first publishing contract, cheer, shout, have dinner out, buy yourself something nice.  But remember this is not the end of your journey—there is another act to come and you are going to face new hurdles.  When the clock strikes twelve and you have to take off the gown, put the work clothes back on and get down to business you don’t want to fall to pieces.

Bottomline:  view the publication of your first (or seventh) book as a plot point NOT “the end.”  You may be writing fiction, but your personal story will be anything but a fairy-tale and that’s a good thing.  After all, most fairy-tales have one-dimensional characters and unbelievable plot twists.  In real life, as in good writing, we should strive for more depth.

Sophie Perinot's debut novel, THE SISTER QUEENS, tells the story of two 13th century sisters who became the queens of England and France, but it is no fairy-tale.  You can find Sophie at home here, or on Facebook at her author page or the page for her novel.  She is also active on twitter.