Two Minute Tips: Find Your Community with S. L. Duncan

Being Supportive, Being Authentic

by R.C. Lewis

One of the best things about the writing community is that it's so supportive. Writers share information and experiences on blogs and Twitter, offer advice to newer writers, and spread the word about others' books.

For me, there's a fine balance between that support and being authentic. If you don't like someone's cover or book, do you still rave about it in the name of being supportive? Some writers do, and I think they often have valid reasons for it. Tastes are subjective, so they're objectively celebrating the effort and accomplishment. They're offsetting the inevitable snark-reviews.

Good reasons. If that's what makes sense to you, go for it!

The trickiest place for this is in reviewing. I decided a long while ago that I wouldn't review books. Period. Books I love, hate, or are so-so about. My own nature is to find things to pick on, so I make a lousy "celebrator of effort and accomplishment" if I don't adore everything about a book. And if I review one writer-friend's book (because I love it) but not another's (because I don't love it), it gets way too awkward. I can't say I love everything, because I don't. Because I'm admittedly really picky, it's often hard to focus on any aspect I thought was good.

So no reviews for me, and I think that's a decision each author has to make in a way that works for them. It has to do with personality along with a whole host of other factors.

There are other things I can do, though, that I think are more universal. I can be vocally supportive of all paths—traditional, agented, small publisher, self, whatever. I can likewise be supportive of writers in all genres.

Most importantly, I can make sure I never look down on a fellow writer.

While it's critical to have self-confidence in this business—we need to believe our stories are worth reading—it's just as critical not to let that cross over to arrogance. In my case, I write Young Adult sci-fi. I do so because it's what I love, and I think my books have something important to add to the conversation.

That's not the same as thinking I'm better than everyone else publishing or attempting to publish in that area. I think I'm pretty good at some things. I know I still have plenty to learn.

I think I can add a different voice. I don't think "different" means "better."

I have opinions. I have some expertise. I don't have the right to poop on someone else's parade.

This is why decisions about how to publicly convey our support for each other can be so tricky, at least for me. Being honest, authentic, and supportive while keeping our egos in check … it's a big balancing act.

How do you choose to show your support for your fellow authors? Are there things you find you just can't do? Where's your balance?

R.C. Lewis teaches math to teenagers—sometimes in sign language, sometimes not—so whether she's a science geek or a bookworm depends on when you look. Her debut novel Stitching Snow is coming from Disney-Hyperion in Fall 2014. You can find R.C. on Twitter (@RC_Lewis) and at her website.

Does It Really Take a Village to Write a Novel?

by Cat Woods

Think about that person in your life:

• The one who encourages his dawg to use your lawn as a canine commode.
• The one who leans on you to buy the Mother's Day presents and Christmas presents and wedding gifts and Easter baskets and ...
• The one whose contribution to group projects is her name at the top of the page.
• The one who "reluctantly" allows his children to spend the night at your house, night after night after freakin' night and never returns the favor.

Yeah, that one. The neighbor, sister, co-worker or friend who proudly proclaims that all great accomplishments in life take the work of a village.

Sometimes I think "village" is code word for "I'm lazy" and the people who say it are nothing more than the village idiots.

Yet, my writer-ego believes the opposite. It tells me that writers succeed because of the village, not in spite of it.

Five Awesome Reasons to Be Part of a Writing Village

1. It's dark and lonely in the writing closet—at least mine was. Any agents or editors living there before didn't leave a calling card ...
2. It's impossible to critique your own writing. No joke. I don't care how good you are, everyone needs an extra set of eyes on their work.
3. Networking, baby. It's hard to network effectively at a table for one.
4. You have to find the answers somewhere from somebody, so why not from other, experienced scribes?
5. Friendship. Pure and simple.

Five Awesome Gifts to Give your Fellow Villagers

1. Time.
2. Effort.
3. Honesty.
4. Expertise.
5. Friendship.

Five Awesome Writing Villages

1. AgentQuery Connect: Hands down, the best on the net. AQC boasts a robust writing community. It's free. It's fun. It's filled with advice on any topic. Did I mention it's the best on the net?
2. Society of Children's Writers and Illustrators: The SCBWI is all things juvenile when it comes to literature. When you join ($70/yr), you receive the inside scoop on the publishing business where kids are concerned. They host conferences, workshops, face-to-face critique groups and an online forum. I've been a member for eternity. But don't fret if you don't write for kids. Each genre has a professional organization dedicated to helping writers connect with the business and other like-minded scribes. Examples include: RWA and HNS.
3. Verla Kay's Blue Boards: Another juvie lit community that strives to provide a safe haven for writers penning scripts from board books to YA novels. The Blue Boards are free, but membership must be requested and accepted before you're given the magic key to the kingdom.
4. NaNoWriMo: I know, it sounds weird, but I met some of my dearest and oldest writing friends during the month-long novel-writing frenzy. We then created a tiny village in the vast ocean of cyberspace on LiveJournal. This group of wonderful ladies got me out of the writing closet and into the writing world. National Novel Writing Month happens every November. It's completely free and totally off the wall. Nothing motivates me to write like my fellow NaNoers.
5. Private writing groups: These micro-villages can go a long way in keeping us motivated while supporting our entire journey from start to finish. Often, you can find/create these groups after connecting with other writers on bigger writing sites. AQC, for instance, has a Want Ads section where writers can advertise.

Five Pitfalls to Avoid in your Writing Village

1. Never get more than you give. It torques people off and makes them want to burn down your house.
2. Never let your ego get in your way. Remember those village idiots I talked about earlier? Yeah, don't be one of them. As writers, we all have one end goal: getting our work published and into readers' hands. None of us are better or worse than our neighbor, no matter how much experience we have on our sides.
3. Don't build a wall. China's is crumbling, Berlin's is gone. Writing communities are places to explore and unite, not isolate and divide.
4. Don't be a jack of all trades. Writing communities are notorious for having so many fun alleys and shops that you want to get involved in the goings-on of them all. This is a huge time suck and doesn't really connect you the way you need to be. Instead, find a few niche areas that you can effectively and efficiently partake in and spend the rest of your time writing.
   
5. Whatever you do, don't poop on your neighbor's lawn.

Which writing villages are you part of? What is the biggest asset of your favorite writing village? The biggest drawback? How has your writing village played a role in your success as a writer, no matter how small or how great your feat? What tips do you have for writers as they embark on a journey to find a solid writing community?

Curious minds want to know.

Cat Woods used to be a village of one. After her closet door opened, she jumped key board first into a wide range of diverse and intriguing writing communites. You can follow her journey on Words from the Woods.